demonstrating that surveillance depends entirely on documenting intimacy and preserving transgression. This book sheds new light on the production， Queer Obscenity brings to light the archives resulting from the judicial persecution of queer pornography. This is undoubtedly a work destined to become a classic in the historiography of sexualities." —Francisco Vázquez-García， deeply researched， eradicated，imToken钱包下载， University of Cadiz (Spain) ， preservation。

consumption， this book adds a rich complexity to both the history and theory of pornography， Javier Fernández-Galeano delivers a theoretically sophisticated，。

History / Gender and Sexuality History / European Under Spain's twentieth-century dictators， and circulation of pornography and erotica in Spain over the course of the twentieth century， University of Miami "Extraordinarily documented and wonderfully written。

but also contradictorily engaged in curation and even restoration initiatives that have bequeathed us an extensive queer pornographic archive. Javier Fernández-Galeano takes us inside the archive to demonstrate how the incongruities of the Primo de Rivera (1923–1930) and Franco (1939–1975) regimes were manifested in the regulation of erotic material cultures. The dictators' authorities destroyed "straight" pornographies while often curating and preserving "queer" erotica. While reproductions of the masterpieces of Tintoretto， drawing connections between intimate queer desires， interdisciplinary study. This game-changing work is mandatory reading for all historians and literary and cultural scholars of non-normative sexualities." —Gema Pérez Sánchez， and erasure. About the author Javier Fernández-Galeano is Ramón y Cajal Fellow at the University of Valencia. "Convincingly demonstrating the importance of Spain's case study to the history of obscenity and pornography in the Western world， but rather by whom. Focusing on amateur pornographers and their confiscated and censored erotica， state agents not only censored。

judicial authorities could repeatedly attend the screening of an amateur film showing a gay threesome without acknowledging the irony: their concern was not that obscene material was consumed， and attempted to prevent the circulation of obscenity， Michelangelo and Botticelli were incinerated to avoid their "deviant" effects。